storytelling

Selina

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The old man hunched over an antique desk beneath the dim light of a small lamp. An open notebook stared up at him, empty though he’d been sitting there for hours.

Once, when he was young, he’d enjoyed a vibrant career. Back then, the words had flowed like wine. He’d brought stories into the world the likes of which had never been told before. But now in his old age, the well had run dry.

Of course, his books had never been his own. That was his dirty little secret, the thing he kept from his readers whenever they asked him where he got his ideas. He’d always offer the standard bullshit, that he’d been a reclusive child, that it was his retreat into fiction that changed the way he saw and thought about the world.

But the truth was that he was a fraud, for while the writing had been his own, the stories had come from someone else.

When he was only a teenager, a visitor came during the night. A woman, garbed in flowing silk that glowed in the dark.

“Wake up,” she whispered.

He almost screamed when he saw her, but she placed a hand over his mouth and assured him she meant no harm. She said her name was Selina, that she’d wandered the world in search of someone to tell her story. She placed a finger to her lips. Then she covered his eyes.

What followed was a supernova of sights and sounds, streaming before his eyes like a cosmic newsreel. An excerpt from a life outside the universe.

When he finally came back to himself, she was gone.

A notebook and pen had been left beside him. An open invitation, he thought, and he stayed up until dawn, trying to capture some small part of what he’d glimpsed in the mysterious vision.

She came to him the following night, and the night after that. Each time, he would sit down after she’d left to search out words that might do justice to the otherworldly snapshots of her life.

The books that resulted propelled him to unheard of heights. Nobody had read anything like them. People fawned over his work. Even the sharpest critics seemed at a loss.

But five years ago, Selina stopped visiting.

He flailed, struggled to recall something of her supernal sojourn through the stars so he’d have something new to write about.

But without those constant visions to guide his work, his writing became derivative, stale and uninteresting. People stopped buying his books. Eventually, he locked himself inside his house and never went out again.

Now, he gazed up at the lamp, still at a loss after five years. He closed his eyes, and he wondered if Selina would ever visit him again.

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How to Create a World

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You start with nothing.

You’re sitting alone in the dark, thinking. Then out of nowhere comes a blinding flash of interior light, a searing white-hot fire that consumes thought and vision.

You have an idea.

Everything your world is and everything it will become is locked up inside of it, an infinitely hot, infinitely dense point of creative energy waiting to be released. There’s a crack of mental thunder. A flash of lightning. For one brief instant, an entire universe that has yet to exist is laid bare before you, and you scramble to remember as much of the prophetic vision as you can before the flash winks out and the future goes dark. It’s a foretelling, a far-off plea from the denizens of your future world, crying out for you to grant them what only you can provide: existence.

You scratch your head. A little while later, you bang your head against a wall. What do you do with your idea? You’ve just seen an entire cosmos in the span of a heartbeat. Your chest begins to ache with creative agony, and you realize that you won’t be able to rest again until you’ve heeded its lofty call.

You have a mission.

You didn’t ask for it, and you have no idea how you’re going to fulfill it. But you ponder the people of your world and their desire for life. You reflect on your responsibility as a storyteller and you realize you have no choice but to buckle down and get to work.

You’re not really sure where to start. Your new world is a big place. You scramble to remember everything. You obsess over every detail. You worry that even marginal deviations will irreparably alter the fates of millions of fictional lives, or worse, that your world will destabilize and collapse, crushed by the combined weight of inconsistencies, ambiguities and indecision.

You learn that perfection is impossible.

You aim for it anyway, not because the ideal can actually be reached but because trying will propel you further than you ever thought you could go. You shoot for perfection; you embrace imperfection.

Wielding paper and pen, you lay the foundation of your world, one word at a time, a cosmic web spun from the fibers of your imagination. Sometimes, you look back and cringe at what you’ve constructed. But you know you can’t stop, that you have to press on, that you can’t rest until your world has at last crossed over the threshold into reality.

You continue to put one word after the other.

You work feverishly for days, weeks, months, years. The process is often painful. An entire world is erupting, a volcanic blast of newly formed material, coalescing from the ether of your mind.

You catch glimpses of your initial vision in the fallout, but you realize that your world has assumed a life of its own, that it’s destiny is only partially determined by what you’d forseen so long ago. You discover the truth, that the prophecy was not a vision of what must be but what could be, a glimpse into one of an infinite number of possible worlds. You realize that your universe and the people in it are substantially more complex, versatile and adaptable to change than you ever could have imagined.

When you least expect it, you look back and discover that you’ve finished.

One day, without ever having realized how close you were, you set the final word down in ink, the lifeblood of creation. You blink down at the final page with disbelief. Surely, you must have forgotten something. You go back to the beginning. You review your work. You go back to the beginning and review your work again. Eventually you realize that yes, you’ve done it after all, and just like that your world is alive.

You gaze at it with wonder, a product as much of divine mandate as it is of your imagination, and like an Old Testament god enamored with creation, you can finally look upon your newly minted world and proclaim, “it is good.”

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