Jeff Coleman is a writer who finds himself drawn to the dark and the mysterious, and to all the extraordinary things that regularly hide in the shadow of ordinary life.
I remember standing on the playground at school after a storm, my hands numb from the cold, my nostrils filled with the scent of wet earth and asphalt. I peered down at the blacktop, made slick and shiny by the rain, and I scurried to where the water had pooled into a large sprawling puddle. I stared, transfixed by that shallow body that seemed so deep, and my breath caught. Was that just a reflection I could see, or was it, perhaps, some exceedingly rare glimpse of another world?
I felt that all I had to do was jump, and I would find myself falling, tumbling, down and down into endless blue. Or perhaps floating, flying, borne by great billowing clouds and fearsome bellowing winds, up into that vast ocean of upside down sky. Holding my breath, I took a leap of faith and jumped. But beneath my feet to break my fall were the shoes of an upside down boy.
He looked just like me. I gazed down, sad, and he gazed back up with the same doleful expression.
I stepped back, and the boy beneath my feet did the same. I waited, hoping he would go away. But when I slowly craned my neck forward to make sure my path was clear, I saw the boy had returned. I took a deep breath. If only I could slip past him. If only I could trick him into moving away. I cast another furtive glance over the edge of the puddle, but the boy was still there.
I made as if to draw away, then suddenly whirled and lunged into the air with eyes closed. I felt the rush of frigid morning wind as it whooshed and whipped over my arms and shoulders. I was certain I’d outsmarted him.
The puddle shattered as my feet struck the water, and a magnificent spray of shimmering liquid glass rained down around me. For a fraction of a second, I was certain my body would clear that thin barrier between the worlds, tumbling and falling into infinity. But when my descent was stopped short, I opened my eyes. I looked down, and there was the boy, gazing up at me. His face was set in a solemn expression. There would be no freedom that day.
I stood and stared at the boy who had denied me access to his endless world of blue. Only after the bell rang and a teacher took me by the shoulder did I go, and as I proceeded toward the dim and dreary classroom where I would be locked away for the remainder of the day, I glanced back at the puddle, that gateway into another world. The boy was gone, but it was too late.
A captive sun pushed through charcoal clouds, and throughout the day, while I sat at a desk with my head bent low in my hands, it drank up all the water. That temporary portal into another existence receded, falling into itself until at last there was hardly more than a drop. All the while, I imagined the mist that would have risen up around it, the soul of a dying world.
After school, I stood over where the puddle had once been. I mourned the loss of a world. I mourned the loss of freedom.
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For my sixth blog, I thought I’d try something a little different. Since I love to read, and I’m assuming that you do too, I’d like to learn more about your favorite books. What stories are you head-over-heels for and why? I’ll kick off the conversation by telling you about three of mine.
The Dark Tower Series, by Stephen King
Book #1 of The Dark Tower series
“The man in black fled across the desert, and the gunslinger followed.”
So starts King’s enigmatic work. This lengthy epic revolves around Roland of Gilead’s quest for the Dark Tower, the lynchpin not just of time and space, but of all realities. These are the books that tie together all of King’s other works, his own “literary Dark Tower.”
This series comprises what is, all at once, an epic fantasy and a classic western. Roland of Gilead is the last of the gunslingers, crack shot gun toting cowboys who also happen to be royalty, knights errant, the fabled peacekeepers of old. As a post apocalyptic wasteland where space and time are stretching and running down like a worn out clock, Roland’s world is at once familiar and strange. It feeds on our fear of destruction, not just of the world, but of all existence, for if the Dark Tower fails, all realities will fall into ruin with it.
The Dark Tower explores nothing less than the mysteries of creation and existence. What are space and time? Is there such a thing as fate (known to Roland as “Ka”)? The Dark Tower examines the dual natures of magic and science, and ponders how the two are related.
One thing that stands out is King’s remarkable ability to intertwine other works of literature (not just his own) into the story. In fact, the story itself is based on a Robert Browning poem called Childe Roland to the Dark Tower Came. The Dark Tower offers alternate accounts of their origins, origins which serve the Tower, blurring the distinction between reality and fantasy.
This epic tale was strongest in the first four books. I was utterly spellbound. Unfortunately, by the fifth installment, the series fell apart and the magic was broken. Too many last minute additions (things like vampires and the Low Men) as King struggled to find a place in The Dark Tower for all of his previous stories, as well as an anti-climactic and existentially unfulfilling conclusion, made the tail end of the series painful to read.
Why am I counting The Dark Tower among my favorites if the series ended so poorly? Because the first four books were four of the best books I’ve ever read. And to be fair, it must’ve been quite difficult for King to live up to not only the great cosmic questions posed by The Dark Tower in the beginning, but also twenty six years of anticipation and hype.
All things considered, The Dark Tower is a formidable work of literature and a worthwhile investment.
Harry Potter, by J.K. Rowling
Book #1 of the Harry Potter series
I know. Everyone loves Harry Potter. The thing is, there’s a reason these books are so popular.
In one aspect, Harry Potter is the consummate fairy tale, filled with magic, exposing the bizarre wonders which lie cloaked beneath the thin veneer of a supposedly ordinary world. What really makes this series shine and stand out from the typical fairy tale, however, is not the fantasy setting itself, but the characters.
From the smallest details — their mannerisms, physical descriptions and dialog — to more general themes — their emotions, desires and motivations — the characters in Harry Potter strongly reflect the complexities of real people. Like the world of magic, which lies just beneath the surface world of the muggles, a very deep and meaningful exploration of good versus evil takes place just beneath the fairy tale surface.
But Harry Potter is good versus evil with a twist.
The villains (all but a few, at least) are plainly bad, but conflicted. Draco Malfoy, for example, does great evil, but his conscience is disturbed. By the end of the last book, he’s left standing on platform nine and three quarters, averting his gaze from Harry and his friends, shamed and embarrassed.
The “good guys” are not perfect but flawed, their deeds marred by less than noble acts. The students who ultimately save the day often do so by lying and breaking the rules. Professor Slughorn is not only a coward, but a man heavily motivated by self-interest and greed. We even discover that Professor Dumbledore himself, the man we all believed could do no wrong, wasn’t as innocent in his young adult years as we once believed. This discovery, which comes as a great shock to Harry and his friends via Rita Skeeter’s eposé of Dumbledore’s life post mortem, forces them to come to terms with the morally ambiguous nature of even the greatest heroes.
The humanity of Rowling’s work is undeniable and profound. For that reason, I hope these books will someday find their place among the classics.
The Stranger, by Albert Camus
The Stranger, by Albert Camus
Depending on your translation, you may also know this book as The Outsider.
The story opens with the main character, Meursault, thinking about the recent death of his mother. From the very first paragraph, we realize that something is amiss. Meursault is bewilderingly detached. He doesn’t seem to care one way or the other about the passing of his mother, and when the funeral is over, he returns home, undisturbed, to continue living a dull disinterested life.
Through his interactions with others, even as he makes his eventual decent into darkness, we get the sense that Meursault just doesn’t care, that he’s decidedly indifferent about everything, including the evil acts of those he surrounds himself with. Only when the walls begin to close in around him and he realizes that the hollow shell which he calls life is seriously threatened does he begin to consider that he might not want to lose his life after all.
The Stranger is the bitterly ironic tale of a man who doesn’t appreciate his life until it’s in mortal peril, and is, among other things, a sobering reflection on the brevity of life. In pondering Meursault’s fate, we are reminded to always be grateful for what we have while we have it.
How About You?
What books are you obsessed with and why?
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