Jeff Coleman

Jeff Coleman is a writer who finds himself drawn to the dark and the mysterious, and to all the extraordinary things that regularly hide in the shadow of ordinary life.

A Spell Gone Wrong

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This post was originally published through Patreon on February 28, 2017.

I hunker on the bare stone floor, shrouded in darkness, and scream. The room is silent, ghostly. I can see a sliver of moonlight leak through the bottom of the caged window like the tip of a dragon’s fingernail, but it’s swallowed at once by a palpable black void.

My home, it seems even the entire world, is gone, undone by my careless words.

My master was there when I uttered the phrase that brought about this ruin. He was smiling, encouraging me to continue, and I was eager to please. Then I opened my mouth, and he must have spied the latent syllables on my lips, for I glimpsed the sudden twist of his own, perhaps a warning in the making, just before I let loose a hailstorm of destruction.

Avenhalom.

The mystical word rolled off my tongue so easily. It tasted sweet, like honeyed milk. But as soon as the last syllable escaped my lips, I knew something had gone wrong. The sweetness turned bitter like ash, then acrid like charred flesh. I felt the air around me part like the Red Sea, and I became dizzy and lightheaded.

Stunned, I crumpled to the ground, assailed by a deafening, high-pitched whine. Then the world burst in a violent explosion that tore through my entire chest. I slipped inside myself, and the world turned black.

I woke on the dusty floor of an alien world that only vaguely resembled the home I’d once known. Everything had been consumed by darkness, made empty in a way I can’t describe. My master was gone, and with stomach-twisting certainty, I knew that I would see him no more.

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I Only Had To Bleed

Peter Gudella/Shutterstock.com

This post was originally published through Patreon on July 12, 2017.

“There is nothing to writing. All you do is sit down at a typewriter and bleed.”
—Ernest Hemingway

I huddle over my desk beneath the soft light of an incandescent lamp, brow furrowed, and stare down at the empty pages of my notebook. There’s a world out there somewhere, waiting for me to give it life. But I cannot find the words, and without them this other world can remain only a pale shadow, suspended in the half-life of the imagination.

I hear a thousand screams, a million, all from denizens of this other world. “We want life,” they say. “Please, give it to us.” Their cries have become a fire that burns me from the inside out, until my soul can bear the pain no longer.

“All right,” I say. “I’ll try,” and the screams die down to an expectant whisper.

I tremble. I know the words will come if I ask them to, but they require a sacrifice, an offering as old as humanity, and I am afraid. I glance around the dim surroundings of my study, bite my lip, and turn back to the notebook at my desk. Resolved not to stall any longer, I pick up the pen, and in a single practiced motion I stab downward and break open an emotional artery.

The pain is tremendous, and at first, the words come in fits and starts. I have to drag each of them from my head kicking and screaming, sharp, sticking barbs that tear skin and flesh as I pull them out into the light. I want to stop and lick my wound. But if I do then it will heal, and my sacrifice will have been in vain.

So I toil through the night, through ice and fire, dredging up the best and the worst of myself as an offering, a vessel into which that other world might enjoy the coveted fruits of existence.

Just before dawn I finish, bloodied and bruised. The inhabitants of that world whisper their thanks. Tears well at the corners of my eyes.

It was nothing, I think. I only had to bleed.

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