Evil

Am I The Hero or The Villain?

Hero and Villain
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In literature, there are two roles that manifest themselves over and over again: the hero and the villain.

The hero is the one who’s not only content with living a decent life, but goes above and beyond. The hero doesn’t just meet but exceeds expectations. The hero goes out of his way to save the day.

The villain is the one who not only does evil, but revels in it. The villain doesn’t simply do wrong out of weakness, but finds his purpose in the pain and suffering of others.

The friction between the hero and the villain is fierce, and it sparks the fire that fuels countless stories. Both the hero and the villain tell us something about the nature of humanity; they teach us about the internal forces that motivate our thoughts and actions.

Therefore, when considering who you relate to, you might ask yourself, “am I the hero or the villain?”

Evidence That You’re the Hero

Have you ever stood up for a just cause? It might have been a principle you believed in deeply. Or perhaps you defended a friend or loved one against bullying, gossip or slander. Maybe, in a remarkable feat of love and courage, you went so far as to stand up for a total stranger.

Have you ever loved at the expense of your personal needs and desires? You might have been a friend, a son, a daughter, a father, a mother or a spouse. Maybe you’ve dedicated your life to raising a family.

Have you ever given to someone in need? You might have provided for someone’s material necessities by donating money, food or clothing. Or perhaps you attended to someone’s emotional necessities by providing a shoulder to cry on. Maybe you were present in someone’s life when they were in need of comfort. You might have given something as simple as a smile.

Have you ever found something valuable, discovered who it belonged to and returned it instead of keeping it for yourself?

Have you ever expressed simple gratitude for what you have instead of taking it for granted? Even better, have you ever expressed your gratitude for someone else’s success, instead of envying them for it?

Have you ever been tempted by evil, but refused to act because you knew it was wrong?

While this is by no means an exhaustive list, if you answered yes to any of the questions above, then without a doubt you have played the part of the hero.

Evidence That You’re the Villain

Have you ever been a bully? Have you ever attacked and injured another, either with your thoughts or with your words?

Have you ever stood by and allowed something evil to take place when it was within your power to stop it? You might have refused to stand up for something you believe in, or you might have looked the other way while someone was under attack.

Have you ever stolen something that didn’t belong to you? It might have been worth as much as one thousand dollars or as little as one.

Have you ever lied to someone about something they had the right to know? Perhaps you were scared and wanted to avoid getting in trouble.

Have you ever spent an inordinate amount of time chasing after material wealth at the expense of family and friends?

Have you ever ignored a loved one, friend or stranger in need? Perhaps the need was material and you chose not to give food or money when you could have afforded to do so. Perhaps the need was emotional and you refused to acknowledge them or give them comfort.

Have you ever used someone as a tool for personal gain?

Have you ever harbored a grudge or sought vengeance against another?

Have you ever willfully desired that grave misfortune or harm befall another? Worse, have you ever acted on that desire?

If you answered yes to any of the questions above, then you have certainly played the part of the villain.

“I’m Confused.”

If you were honest with yourself, you probably found evidence that you were both. So, which is it? Are you the hero or the villain?

In practice, the terms hero and villain are relative. The archetypes are two ends of a vast spectrum, with each of us residing somewhere in-between.

Showing off my mad graphic design skills!
Showing off my mad graphic design skills!

Becoming The Hero

While none of us will ever be the archetypal hero we desire to be, with hard work and dedication, we can come close. It’s a slow but fruitful journey from one end of the spectrum to the other, a road paved with self examination and good works.

Everyday, you must sit down with yourself and ask, “how have I been the villain?” You must be honest and you must be willing to face some ugly truths. When you have the answers you seek, you must actively work to purge those villainous desires from your heart so that the next day, you can be better than you were the day before. If you make this a frequent habit, you will find in the fullness of time that you have drifted remarkably close to the role of the hero.

What Exactly Is A Hero?

To be a hero, you need not fight crime or pull people from burning buildings. You must only be courageous enough to recognize and face the villain within yourself, to turn your back on him by doing good. Extraordinary feats of bravery are certainly heroic, but they are not the criteria by which heroism is defined.

There are silent heroes all around us. They are the ones who love. They are the ones who attend to others. They are the ones who do their part to make their small corner of the world a better place.

The archetypal hero is an ideal that we will never fully realize in this life. But that doesn’t mean we can’t come close.

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Does Reading About Evil Make You Evil?

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I love dark fiction. I’ve always been fascinated by the problem of evil, and literature that grapples with diabolical themes gives me an opportunity to explore this very difficult subject in all of its many facets. I get to enter into the minds and souls of those who do evil, and am able to witness first hand the torment and destruction wrought by their wicked hands.  Is there something wrong with me? Is my fascination with evil the sign of a disturbed and demented mind?

Critics of dark fiction argue that stories which address sinister themes outside of a strictly didactic context necessarily glorify evil, and conclude that the act of reading such literature is, by extension, also evil. Conversely, proponents of dark fiction argue that evil is an inescapable part of life, and that we should not be afraid to tell the truth about it in literature. Which of these two voices should we listen to?

A distinction must be made.

Critics of dark fiction make the mistake of conflating two separate and distinct desires. They argue that because one hungers for an understanding of evil, that they must therefore hunger for evil itself. This is a non sequitur. Is a police officer evil for his fascination with the criminal mind, regardless of the fact that his motivation stems from a desire to prevent further criminal activity? To the contrary, his desire to know evil is rooted in a desire to do good.

FIctional characters enable us to know the mind of evil without becoming evil.

A desire to understand is an inextricable component of our human nature. We don’t just want to know what people do. We want to know why. What motivates someone to make certain choices? Why does one man decide to save a life while another decides to commit murder?

By entering the mind of a fictional character, we can discover answers to these questions. We are privy to their thoughts, their emotions, they’re motivations. We aren’t just exposed to the evil deeds they commit. We’re exposed to the rationale behind those evil deeds. This is very important, because only when we understand the causes of evil can we ever be in a position to do something about it.

Learning about evil teaches us how to be good.

One of the most potent ways to learn is by example. When we see a person act a certain way and observe the result, we take that experience with us as if it were our own. When a person’s actions have a positive outcome, we’re conditioned to emulate their behavior. Conversely, when a person’s actions have a negative outcome, we learn to avoid it.

An accurate portrayal of evil will necessarily showcase the consequences of bad behavior. Sometimes, these consequences will be practical in nature. A bank robber, for example, might slip up during a heist and leave behind clues that eventually lead to his arrest. Sometimes, the consequences will be more spiritual or psychological. A character in a novel might, for example, get away with murder. But if the author has a firm grasp of the human psyche, he will, simply by knowing his character well, reveal the terrible transformation that takes place inside his mind, now irrevocably tainted. From this devastating case study, we are given an opportunity to reflect on what evil can do to us if we allow it into our own hearts.

And, we witness first hand the pain and suffering that evil inflicts on others. We see lives reduced to ruin by greed and malice. We feel a deep sense of desolation and loss. We walk through a desert of despair, barren of all things good, and our hearts howl from their deepest depths for something better. Prolonged exposure to darkness makes the most miniscule act of kindness blaze like the sun. It makes us more sensitive to a right way of living.

In short, reading about evil makes us better people.

Encountering evil in stories reminds us that evil exists outside of stories.

It’s easy to drift through life, comfortable, complacent, apathetic to the suffering of others. Unless we’ve experienced hardship personally, it’s difficult for us to sympathize with those who have.

But when we encounter terrorists, thieves and murderers in fiction, we are reminded that these same criminals also exist in the real world. We are forced to confront an uncomfortable truth that we would otherwise prefer to brush aside. We are forced to watch as innocent characters weep and wail and gnash their teeth in unending agony at the hands of evildoers, and we are reminded that the same thing happens to real people. This awareness breeds empathy, which in turn breeds a genuine love for the rest of our human family and a desire to act against the injustices that afflict them.

Refusing to acknowledge evil is untruthful.

The world is not all pink fluffy bunnies, sunshine and rainbows. Art that intentionally ignores or attempts to sugar coat the darker realities of human life is a distortion, a twisted half-truth that is not only deceitful but dangerous. A selective view of the world through rose colored glasses enables us to look away as innocent people suffer. It allows us to pretend that the world is better than it is, that it’s ok for us to withdraw into ourselves and ignore the plights of others who are less fortunate.

Don’t get me wrong. There is nothing wrong with art that zeroes in on goodness and innocence, any more than there is something wrong with art that doesn’t. A balanced outlook is essential to a healthy understanding of the world, and we need also to be reminded of all the things that are good and right. But we must never turn a blind eye to evil. We must be willing to stare it down, to meet its malignant eyes gaze for gaze.

There is tragic beauty in dark literature.

When characters suffer, we cry for them. When an evildoer gets away with murder, we flush with anger and outrage. A good balance of light and dark allows us to explore the full spectrum of human emotions, which in turn leads us to a better understanding of ourselves. This is why the ancients devised great epics that dealt regularly with death and loss, as well as why great tragedies like Romeo and Juliet resonate so strongly and continue to persist throughout the ages.

Conclusion

Critics of dark fiction misunderstand us. They perceive a great multitude of maligned individuals prancing through the streets, approving of and even praising evil deeds. But nothing could be further from the truth. As lovers of dark fiction, we are those who are most sensitive to the devastating effects of evil. We are those who are most profoundly disturbed by its manifestation in the world. We are those who recognize more than anything else the terrible evil within ourselves. We are the ones who desire most of all to be better than we are.

We can respond to evil in one of two ways. We can bury our heads in the sand, sing Kumbaya and foolishly hope that evil will someday pass us over, that we can somehow wish it away, conquer it simply by refusing to acknowledge that it exists. Or we can face it, study it, try to understand our adversary so that we can better prepare for the task of striking it down. Which will you choose?

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