darkness

His Domain

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A gust of frigid night air blew past James as he wound through the park, making him shiver. Like a dream, only he knew he wasn’t asleep. The world was unnaturally quiet and still. There was only the wind, sighing like a mournful spirit.

Orange lamps lit the edges of an asphalt path, but the dim illumination only seemed to hint at all the things it refused to reveal. So many dark corners and hidden shadows. Anything could be out there, watching, waiting, hunting.

The most distressing thing was that he couldn’t remember why he was here. Memory was a vague thing, a thin mist that parted and evaporated whenever he reached for it.

James’s eyes flitted from one shadow to the next. He licked his lips. They felt cold and dry. The wind was blowing harder now, trees swaying back and forth in a harsh rhythm. Leaves and branches played a haunting tune, a dry rasping sound.

James caught movement on his right. He whirled, strained to hear. But there was nothing. More movement to his left, the slightest flicker on the edge of vision. Again he whirled, and again there was nothing.

James ran. Lamps and trees streaked by in a blur until his side ached and his breath started to come in ragged puffs. He had no idea where he was going, no idea what he was running from, only that he couldn’t stop, that stopping meant dying.

It seemed the trees and asphalt went on forever. He could make out buildings on the horizon, a smattering of yellow-orange windows like distant stars, but running never seemed to bring him any closer.

James’s heart pounded, until it had become a high frequency beat that made him feel lightheaded. Eventually he stopped, and when he couldn’t catch his breath he fell to his knees, gulping for air. He wanted to keep running, but when he tried to scramble to his feet he only succeeded in falling to his hands and knees once again.

“Why do you run from me?”

James froze. He tried to discern the source of the voice, but it moaned and whistled with the wind so that it seemed to come from everywhere at once.

“They all do, you know. They all believe they can escape. They think that if they run fast enough, that if they run long enough, they can get away, that they can cheat me out of what’s always been mine.”

The wind was now whipping at James’s hair and clothes in a violent gale.

A figure emerged from the shadows, not from a place of hiding but from the shadows themselves. It loomed over him, wearing the blackness like a cloak.

James wanted to scream, to summon anyone who might be close enough to help. But whatever sound he’d wanted to make had gotten caught in his throat. Finally, in a hoarse whisper, he croaked, “Who are you?”

“Yes,” the figure mused in that same elemental voice, “and they always ask me the same thing. Who am I? Why have I come? And you know, they all know the answer before they even ask. Deep down, they’ve always known the answer.”

The figure knelt before him, and as he leaned in with a face that was shrouded in darkness, the air grew colder. “Have you figured out who I am yet?”

James had lost most of his body’s warmth. He shuddered, hugged himself with shaking arms. “Death.”

“Yes.”

James’s vision blurred around the edges.

“You’ve come to take me,” said James. “Because I’m yours.”

“Yes, you are.”

The blackness enfolded him, blinded him.

A breeze grazed the surface of his left ear like a kiss. “Death is my domain.”

A flicker of consciousness, like a sputtering flame, and then James went to join Death in the dark.

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The Walking Dead

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The magic is gone.

I’m not sure when I noticed. It didn’t go all at once. It lingered, even as it slowly leached away, until the universe had been sucked dry, a desiccated husk.

I wander a broken world denuded, a disinherited prince. There are no sorrows, no joys. Just a dull flat aching despair, my soul’s pleading cry, a desire to live once again. But the spark is gone now; there is no life within me.

I am the walking dead.

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Does Reading About Evil Make You Evil?

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I love dark fiction. I’ve always been fascinated by the problem of evil, and literature that grapples with diabolical themes gives me an opportunity to explore this very difficult subject in all of its many facets. I get to enter into the minds and souls of those who do evil, and am able to witness first hand the torment and destruction wrought by their wicked hands.  Is there something wrong with me? Is my fascination with evil the sign of a disturbed and demented mind?

Critics of dark fiction argue that stories which address sinister themes outside of a strictly didactic context necessarily glorify evil, and conclude that the act of reading such literature is, by extension, also evil. Conversely, proponents of dark fiction argue that evil is an inescapable part of life, and that we should not be afraid to tell the truth about it in literature. Which of these two voices should we listen to?

A distinction must be made.

Critics of dark fiction make the mistake of conflating two separate and distinct desires. They argue that because one hungers for an understanding of evil, that they must therefore hunger for evil itself. This is a non sequitur. Is a police officer evil for his fascination with the criminal mind, regardless of the fact that his motivation stems from a desire to prevent further criminal activity? To the contrary, his desire to know evil is rooted in a desire to do good.

FIctional characters enable us to know the mind of evil without becoming evil.

A desire to understand is an inextricable component of our human nature. We don’t just want to know what people do. We want to know why. What motivates someone to make certain choices? Why does one man decide to save a life while another decides to commit murder?

By entering the mind of a fictional character, we can discover answers to these questions. We are privy to their thoughts, their emotions, they’re motivations. We aren’t just exposed to the evil deeds they commit. We’re exposed to the rationale behind those evil deeds. This is very important, because only when we understand the causes of evil can we ever be in a position to do something about it.

Learning about evil teaches us how to be good.

One of the most potent ways to learn is by example. When we see a person act a certain way and observe the result, we take that experience with us as if it were our own. When a person’s actions have a positive outcome, we’re conditioned to emulate their behavior. Conversely, when a person’s actions have a negative outcome, we learn to avoid it.

An accurate portrayal of evil will necessarily showcase the consequences of bad behavior. Sometimes, these consequences will be practical in nature. A bank robber, for example, might slip up during a heist and leave behind clues that eventually lead to his arrest. Sometimes, the consequences will be more spiritual or psychological. A character in a novel might, for example, get away with murder. But if the author has a firm grasp of the human psyche, he will, simply by knowing his character well, reveal the terrible transformation that takes place inside his mind, now irrevocably tainted. From this devastating case study, we are given an opportunity to reflect on what evil can do to us if we allow it into our own hearts.

And, we witness first hand the pain and suffering that evil inflicts on others. We see lives reduced to ruin by greed and malice. We feel a deep sense of desolation and loss. We walk through a desert of despair, barren of all things good, and our hearts howl from their deepest depths for something better. Prolonged exposure to darkness makes the most miniscule act of kindness blaze like the sun. It makes us more sensitive to a right way of living.

In short, reading about evil makes us better people.

Encountering evil in stories reminds us that evil exists outside of stories.

It’s easy to drift through life, comfortable, complacent, apathetic to the suffering of others. Unless we’ve experienced hardship personally, it’s difficult for us to sympathize with those who have.

But when we encounter terrorists, thieves and murderers in fiction, we are reminded that these same criminals also exist in the real world. We are forced to confront an uncomfortable truth that we would otherwise prefer to brush aside. We are forced to watch as innocent characters weep and wail and gnash their teeth in unending agony at the hands of evildoers, and we are reminded that the same thing happens to real people. This awareness breeds empathy, which in turn breeds a genuine love for the rest of our human family and a desire to act against the injustices that afflict them.

Refusing to acknowledge evil is untruthful.

The world is not all pink fluffy bunnies, sunshine and rainbows. Art that intentionally ignores or attempts to sugar coat the darker realities of human life is a distortion, a twisted half-truth that is not only deceitful but dangerous. A selective view of the world through rose colored glasses enables us to look away as innocent people suffer. It allows us to pretend that the world is better than it is, that it’s ok for us to withdraw into ourselves and ignore the plights of others who are less fortunate.

Don’t get me wrong. There is nothing wrong with art that zeroes in on goodness and innocence, any more than there is something wrong with art that doesn’t. A balanced outlook is essential to a healthy understanding of the world, and we need also to be reminded of all the things that are good and right. But we must never turn a blind eye to evil. We must be willing to stare it down, to meet its malignant eyes gaze for gaze.

There is tragic beauty in dark literature.

When characters suffer, we cry for them. When an evildoer gets away with murder, we flush with anger and outrage. A good balance of light and dark allows us to explore the full spectrum of human emotions, which in turn leads us to a better understanding of ourselves. This is why the ancients devised great epics that dealt regularly with death and loss, as well as why great tragedies like Romeo and Juliet resonate so strongly and continue to persist throughout the ages.

Conclusion

Critics of dark fiction misunderstand us. They perceive a great multitude of maligned individuals prancing through the streets, approving of and even praising evil deeds. But nothing could be further from the truth. As lovers of dark fiction, we are those who are most sensitive to the devastating effects of evil. We are those who are most profoundly disturbed by its manifestation in the world. We are those who recognize more than anything else the terrible evil within ourselves. We are the ones who desire most of all to be better than we are.

We can respond to evil in one of two ways. We can bury our heads in the sand, sing Kumbaya and foolishly hope that evil will someday pass us over, that we can somehow wish it away, conquer it simply by refusing to acknowledge that it exists. Or we can face it, study it, try to understand our adversary so that we can better prepare for the task of striking it down. Which will you choose?

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